some OWL processors attach significance to the namespaces which are declared on the root rdf:RDF element so it is important to ensure that all of the namespaces which appear in the ontology are actually declared there
but XSLT 1.0 has very very limited namespace node support, afaict limited only to copying (and even that is a grey area), so you have to do something like this in an earlier stage to create the namespace nodes so that they are there to copy
<template match="Ontology" priority="2">
<text disable-output-escaping="yes"><owl:Ontology</text>
<for-each select="declare">
<text> xmlns</text>
<if test="normalize-space(prefix)!=''">
<text>:</text>
</if>
<value-of select="normalize-space(prefix)"/>
<text>="</text>
<value-of select="normalize-space(namespace)"/>
<text>"</text>
</for-each>
<text disable-output-escaping="yes">></text>
&continue;
<text disable-output-escaping="yes"></owl:Ontology></text>
</template>
this is fine
<https://www.w3.org/TR/shacl/> interesting
for you japanese scholars out there, know the old english scholars are just as salty about unicode unification practices
i don’t want the unicode consortium to know about this because they will Not like it but also, hey medievalists, it works
i make this post but actually the communists i’ve known have, generally speaking, had some of the worst mental health problems and yet some of the best, most highly-developed toolkits for dealing with them, which absolutely involved a theory of historical materialism to at least a small degree
like HKE is a wanker right? Dream Catalogue is sus? there’s a veneer of British and, to a perhaps slightly lesser extent, new American orientalism subtly coating much of the scene? it’s perhaps been thoroly infiltrated by anime avatar cryptofash?
these are the vibes i get but obviously the music itself contains no elucidation, nothing is publicly documented, and any Truth about what the scene actually is/was like would require inside knowledge from somebody who was much more involved than i
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