i should qualify that i am talking about fiction here; the critical theorists have made several notable literary contributions to English nonfiction in the past decades ;P
there is postwar literature in the English language which i feel has value, but it’s all genre fiction and i think the value is largely something other than its mastery of the literary art
i was explaining that my writing style is heavily influenced by the Edwardian period because that was the latest stuff one could find on Project Gutenberg when i was in high school, and bea was like “you couldn’t have just pirated something newer??” lol
there’s something charming about dropping a line of dialogue like “Perfectly normal, non-traumatized thing to say” in the midst of some faux‐Edwardian pre‐modernist prose
politics is a dialectic between differences and i for one embrace those differences shifting from what they were in 1992
• it’s got science going too far
• it’s got body horror
• it’s got strange and powerful creatures beyond human comprehension
• it’s got an invisible yet deadly and pervasive illness
• it’s got people being constant fuckups as they attempt to enact their petty politics in a world they do not control or understand
• it’s got an incredibly hot yet morally ambiguous lesbian
every time i try to read gothic fiction i am just like “why isn’t this Nausicaä of the Valley of the Wind”
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I work for a library but I post about Zelda fanfiction.