@coriander just give me a weird little dude. a funky guy
the concept of the everyman did way more damage to American storytelling than the three-act structure
when i was a kid they used to say “the press is the fourth branch of government” but i didn’t understand at the time what they meant
@akjcv egg discourse is just another manifestation of trans girls complaining when other people don’t use the same terms they do with the same meanings
@coriander he/him lesbian
i, too, would shout to a crowd of reporters “That’s completely out of touch, and an insult to the intelligence of the American people”
« As the suspect was led into the courthouse for his hearing, he shouted to reporters crowded outside, saying, “That’s completely out of touch, and an insult to the intelligence of the American people.” It wasn’t clear in the moment what he was referring to, as deputies struggled to push him inside. » oh, to be a journalist
@packetcat i'm not sure it entirely works; i think kendrick maybe went a little too experimental with DAMN and it doesn't entirely line up, but the opening track definitely hits different when you hear it as the closer
@packetcat if you haven't yet listened to the collector's edition (which is exactly the same but with the reverse ordering) you should
@packetcat some hints:
• the album can be played forwards or backwards (in terms of track order) to visit two different directions that kendrick’s life could have gone
• the tracks alternate, with odd tracks (standard ordering) representing vices and even tracks representing virtues. this is a continuation of the themes of battling temptation (Luci) found in TPAB; kendrick is grappling with both sides of his nature as he attempts to chart a course for his life
• after TPAB, which was about looking outward, metamorphosizing, and returning home, DAMN. is looking inward, questioning how much control he really had over that process, and wondering how much change really occurred
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