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you’re not a real zillennial if you don’t spontaneously get “Behind These Hazel Eyes” stuck in your head

oh come on upenn, couldn’t you set up a redirect from oracc.iaas.upenn.edu to oracc.museum.upenn.edu??

@coriander when *I* was a kid, shows built up to big climaxes that you could see by watching the next season of the same show!!

@coriander when they make a good show

why can’t they just keep making that show

why do they have to make a different one

direct quote from the book 

@coriander “My friend is not a diplomat. She is the failure of diplomacy. She is the breakdown of negotiations. There is no escalation of hostilities beyond her.”

atla as a series has always had a huge wealth of potential because the reincarnation cycle implicitly asks the question of what life would be like if power did not always land in the hands of the powerful

and these books lean fully into that

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@Qyriad indie art projects did try and have something like this in the 2000s; that’s the whole idea behind “Creative Commons”. reasons it hasn’t made as big of an impact include:

• “fair use” is a lot more weldefined for art than code. there is a level to which you can legally remix art without requiring any license at all.

• artists are not massive corporations and not as worried about big lawsuits. meanwhile people trying to reimplement code systems have to take careful precautions to not get sued by the original implementors.

• artists generally do not have high-paying jobs and cannot afford to give things away for free.

• most artists are very good at making art; “making art” is something they enjoy and they have no interest in taking shortcuts by copying someone else’s work. programmers, on the other hand, largely do not love programming. they hate reimplementing things someone else has implemented before.

• the size of artist teams is limited by both the need for cohesiveness of vision and economic reasons. nobody writes stories by committees. not many people want to volunteer to do gruntwork to manifest someone else’s vision.

areas where creative commons was or could be successful include:
• wikis
• netlabels
• blender open movie projects
• hip-hop
• roleplay servers
• wikis
• tabletop games
• zines
• wikis

@coriander . @Satsuma reminds me that brits are also Super Racist about spain

@coriander i think brits should Try Harder generally but i guess this one is legit

@clayote oxford dictionary of english says you should NOT use the spanish pronunciation

@coriander spanish armada was 1588 and don quijote was published 1605/1615 so like,

@coriander is this another one of those “we refuse to correctly pronounce words from countries which tried to invade us” things

@akjcv i have some bad news about the profitability of search

@akjcv some people intend for their posts to be a public record and in that context archiving that record can be reasonable and maybe even desirable. but many people very specifically do not

@akjcv (no machine connected to the internet or owned by someone who may at some point be accused of breaking the law)

@akjcv the default stance should always be to not archive and archiving should have to be justified on a case-by-case basis, as a general principle

no data is secure and no machine connected to the internet is private

that’s not to take the extreme stance that nothing should ever be recorded, but recording a significant quote somebody said to you in your journal is different than keeping a continuous record of everything they have ever said, and the fact that it is easier to do with computers doesn’t change the ethical considerations with it

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📟🐱 GlitchCat

A small, community‐oriented Mastodon‐compatible Fediverse (GlitchSoc) instance managed as a joint venture between the cat and KIBI families.