i feel like this book's author doesn't really care for postmodernism. big emphasis on "but if the real isn't a thing anymore then how can we say whether anything is good or bad?". including specifically giving Baudrillard on the Gulf War as an example of that, which my impression was that Baudrillard was in those essays very much criticizing (in the "disapproving of" sense) the Gulf War? i haven't actually read them, but that was the impression i had gotten from like wikipedia and such... i think i will probably actually read them now
@aescling does that US history textbook you've been looking at talk about the invasion of Grenada at all?
sex in the movie
idk if i've remarked here that del Toro is very good at putting seemingly incidental details to further use, reincorporating them later in the film in various fashions, but this film included a very clear multi-part example i liked.
kinda fitting that i ended up rewatching this one and pan’s labyrinth close to each other as there’s certain parallels i might have forgotten about otherwise.
now i just gotta rewatch The Shape of Water and i can issue my official ranking of every feature film he's directed by how much I liked them (and possibly also a separate ranking for how good they were)
i think this was probably my least favorite of his Spanish language movies (not a negative remark! Cronos and The Devil's Backbone were both very good)
there is something to be said about Guillermo del Toro heroines (Ofelia and Mercedes here, Conchita and Carmen in The Devil's Backbone, maybe even Princess Nuala in Hellboy II, Aurora in Cronos, perhaps the human lead in The Shape of Water) but idk what that is
🧚♀️