« The portrayal of women in Harry Potter has been described as complex and varied, but nonetheless conforming to stereotypical and patriarchal depictions of gender. Gender divides are ostensibly absent in the books: Hogwarts is coeducational and women hold positions of power in wizarding society. However, this setting obscures the typecasting of female characters and the general depiction of conventional gender roles. According to scholars Elizabeth Heilman and Trevor Donaldson, the subordination of female characters goes further early in the series. The final three books "showcase richer roles and more powerful females": for instance, the series' "most matriarchal character", Molly Weasley, engages substantially in the final battle of Deathly Hallows, while other women are shown as leaders. Hermione Granger, in particular, becomes an active and independent character essential to the protagonists' battle against evil. Yet, even particularly capable female characters such as Hermione and Minerva McGonagall are placed in supporting roles, and Hermione's status as a feminist model is debated. Girls and women are more frequently shown as emotional, more often defined by their appearance, and less often given agency in family settings. » per Wikipedia, “Harry Potter § Thematic critique”